News Feature: Lenten Artwork Under Construction at International Headquarters

Artist and lecturer Güler Ates is working on a new composition which is being created for a London-wide art project that will take place throughout Lent

Stations of the Cross

GALLERY 101, the exhibition area next to the public cafe at The Salvation Army's International Headquarters (IHQ) in London, has been transformed into an artist's workspace for a week. Güler Ates, an artist and lecturer at the Royal Academy, is working on a new composition which is being created especially for a London-wide art project that will take place throughout Lent. The project is based around the 14 traditional Stations of the Cross, each of which represents a different stage of Jesus' journey through Jerusalem to Calvary.

IHQ was chosen by the project's organisers to host station 10, where Jesus is stripped of his garments. Other iconic venues participating include St Paul’s Cathedral, the Tower of London and the National Gallery. The exhibition seeks to tell the story of the Passion through 'a pilgrimage for art lovers', using existing masterpieces and – as is the case at IHQ – new commissions.

The piece under construction by Ms Ates uses children's clothes to form a huge patchwork. She was particularly inspired by the well-reported drowning of a three-year-old Syrian refugee, Aylan Kurdi, in the Mediterranean, and is seeking to provide a link between the suffering of Christ on his way to the Cross and the plight of refugees today. The IHQ location is particularly appropriate because of the assistance provided by The Salvation Army to refugees and other forgotten people around the world. Having suffered displacement from eastern Turkey herself, Güler feels an acute empathy for refugees, and is creating this work with the assistance of women from local refugee groups. 

She is best known for her photographs of mysterious figures in shimmering, diaphanous veils, drifting through opulent spaces. In the work under construction at IHQ, fabric takes a different form, drawn from donated and discarded children’s and baby clothes. These cast-off clothes offer a haunting reminder of children who have died – sometimes in their mothers’ arms – in journeys to escape conflict. She seeks to inspire the onlooker to return to a question that emanates throughout her work: can we ever really know the person in front of us? Can we know their pain? Even when Jesus stood naked, stripped of his garments, who among the jeering crowds really knew what he felt?

The completed work will be on display at IHQ for the whole of Lent, from Wednesday 10 February to Monday 28 March.

More details about the Stations of the Cross project – including an interactive map, podcasts and information about events – are available from the website www.coexisthouse.org.uk/stations2016. From 10 February people will be able to work their way from station to station using a smartphone app called Alight, which will be available to download for free from the Apple and Google app stores. Updates will also be available through Twitter (@Stations2016L and #Stations2016) and Facebook.

Report by IHQ Communications
International Headquarters

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